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15th Annual Signature Watermedia International Exhibit Fallbrook Art Center

The 15th Annual Signature Watermedia International Exhibition opens this weekend (Mar 16-Apr.14) at THE Fallbrook Art Center. This prestigio...

Tuesday, April 28, 2009

Sacred Mountain: a Juried Exhibition at Saint Mary's Hearst Gallery

Mount Diablo Summer Sunset, 14 x 14 watercolor

Here is the information on the opening events this weekend:


Hearst Art Gallery, Saint Mary’s College, Moraga
SACRED MOUNTAIN: IMAGES OF MT. DIABLO AND MT. FUJI

May 2 - July 3, 2009
Featuring nearly 100 works of art, including paintings, woodblock prints, photographs, works on paper,textiles, and decorative objects, circa 1650 to 2009.

Opening Events -Sunday, May 3 ,2 – 3 pm Lectures

Preserving and Protecting Diablo: Ron Brown

Fuji and the Japanese People: Naoko Uehara

Soda Activity CenterEvent
Reception following -3:15 – 4:30 pm
Hearst Gallery & patio
It will be interesting to see this exhibit. I think of Japanese Art as being more on paper, such as woodcuts and watercolor ( or actually traditionally ink) paintings vs as using oil paints. When I delivered my painting, I was the only watercolor in the Diablo portion of the exhibit at the time. It will be interesting to see the different interpretations: we all have our own views of Diablo as our population is scattered around the entire base. I am somewhat focused on painting mountains and ridges and am interested in how Mt Fuji has inspired artists on the other side of the world. My painting Mt Diablo Summer Sunset was painted from the West Side of Danville.

Thursday, April 9, 2009

Pacific Swirls

Pacific Swirls 14 x 11 watercolor

If you are familiar with my work you know I gravitate towards painting panoramas , particularly mountains and canyons. I started this work last summer and probably should have documented it's tortured evolution. For a long time it just looked too blue. I finally got the color green of the water and I like the patterns in the water, but I need to do many more rock paintings before I feel good about them. They are tricky, they need to be solid, but simplified. I think simplifying foregrounds is one of the most difficult things for me to pull off as a painter.